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Let’s talk about MMOs… sigh…

I know what you’re thinking. I really do. You think that I’m going to talk about WoW, and SWTOR, and climb on top of my level 90 soapbox to deliver some self-righetous speech about how all MMOs are money-grubbing scumbuckets who utterly destroy your life as collateral damage. You think I’m going to villify Blizzard and BioWare and every one of the 50-some-odd million people who play (or have ever played) MMORPG games. You think I’m going to whine a little bit about PvP, and say that EVE isn’t as good as everyone thinks it is.
Well, my friends, you’re wrong.

Read the rest of this entry

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A rare find, perhaps?

So, yes. I’m a horrible person, so on and so forth. I haven’t been updating, even though I came and said I would. The main reason for this is because I am woefully without internet at my current place of residence! Unfortunate, to be sure. But that’s okay. I’m sitting here in the music university, surrounded by one love, writing about another. Who could ask for more?

Except, of course, internet in my house. That’d be good.

One of my professors (a Texan who speaks flawless Italian. They exist??) mentioned offhand that German internet sucks. Since he probably has more experience with it than I do, that doesn’t bode well for me! Hopefully I’m the exception to the rule… or else, how will I surf Facebook and make meaningful blog posts about the nature of video games??

Anyhow.  If I had previously turned you on to the idea of the Humble Bundle, you hopefully bought the most recent one that came out. It was a little bit geared towards mobile-gaming again, but it still had a couple gems in it that I’m playing, have played, or am looking forward to playing. But I won’t talk about that now, for the reason that it’s irrelevant (as you can no longer buy it). Sorry! I hope that you made your purchase in good time, and I’ll be sure to make another post when the next one comes out. Naturally, I want you, dear reader(s?), to take advantage of the artful awesomeness that is indie gaming.

But for now, today’s blog post is about a gem that I found recently. This game is certainly not NEW, by any sense of the word (except the astronomical sense. Everything created by man is extremely new in the grand scheme of time), but it is both extremely interesting and a little bit fun, too. The game I am speaking of, of course, is Zelda 2.

What… what is going on?

It’s… side-scrolling. It’s a side-scrolling Zelda game! WHEN DID THIS HAPPEN? Well, 1987, to be exact. A couple years before I was born, but then again, I am so saturated with old games that one would have thought I’d have played this to death. But, (obviously, due to the surprised tone of my earlier sentences) I hadn’t discovered it until only a couple weeks ago. Sure, it’s an old game, but in the grand scheme of the Zelda franchise (and video games in general), it illustrates a very important concept.

What concept, you inquire? Well… the concept of a franchise! The concept of putting a number 2 next to the title of that game you released a while back, and hoping people will buy it and enjoy it just like they did the first one. There is a reason the Zelda franchise was so successful! And… well, it wasn’t this game. Just from looking at one screencap, you can immediately tell that this game is entirely different from every single other Zelda game in existence (with the slight exception of one part of the first dungeon in Link’s Awakening, where you get knocked off by the boss into a pit-type thing that is in fact side-scroll-y). It’s got experience bars, it’s platforming, it’s a very great deal more action-y and less puzzle-y than most Zelda games we’re aware of.

So, why does it exist? Knowing what we know now about the Zelda franchise, why didn’t they make a game that improved upon the concepts of the first game, offered a different storyline, and more cool features for the player to take advantage of? That’s what EVERY SINGLE OTHER Zelda game is! Why make this one such an anomaly? (Okay, that’s one too many rhetorical questions.) The answer is, naturally, because there were no rules and strategies to this sort of “franchise” thing. The world of console gaming was just starting to come into being, and the idea of putting out multiple games and relying on the brand of a fictional character was somewhat… foreign! It’s not just the matter of sticking your quarters in a machine anymore; it’s the idea of playing a whole other game, from start to finish, just because you liked the first one.

Now, if that were your goal… how would you go about it? Would you, say, make a game that is in most respects quite similar to the first game, but fluffed up a little bit, with more bells and whistles? Of course not! In the eye of the game developer, it would be foolish to put out such a similar product, and kind of seems like selling out, too. That mindset is all well and good, (and this game we’re talking about is produced FROM that mindset,) but as we now know, that’s not what video gamers desire! I know that when I play a Zelda game, I know what I want, and I know that I’ll find it within. There’s going to be a gradually increasing level of difficulty, lots of puzzles, tons of special items, princesses, Gorons and Zoras, something about the Triforce and the Master Sword… and it’s all going to be in top-down goodness. That’s a Zelda game. That’s the Zelda franchise.

And so, we have this game, different in style, and certainly less famous and less successful, all because it wanted to offer a totally different experience with the characters you know and love. Everyone knows, however, that characters don’t make a game franchise, because we’ve all played Super Mario Bros. 2. Turnips? Magic potions? Hearts???  (By the way, in case you didn’t know, Super Mario Bros. 2 was not originally Mario at all. Check it out here.) It’s a good game, but it’s an anomaly.

So, finally, what I’m getting at with this whole thing. The idea of a video game franchise is more than simple characters and worlds. It’s also gameplay! We have these great worlds that are developed, with cool characters, and interesting plotlines. However, when we play these franchise games, we expect them to behave a certain way! Metroids are ALWAYS frozen with ice missiles! Latikus ALWAYS drop spike balls. You ALWAYS get the Master Sword somehow. It’s the way the game works. You can’t just go fooling around with them willy-nilly. (By the way, willy-nilly is a totally awesome word. Use it in conversation sometime. But not willy-nilly!)

Having said all that, aren’t there good examples of games that HAVE been changed drastically within franchises that have also been successful?

Absolutely. Games and their franchises change with the capabilities of their systems. The ones that are successful, however, move the concept of their games to a new system, utilizing the capabilities of said system fully while preserving the idea behind the older games. Zelda: Ocarina of Time is one of the best games Nintendo has ever released. Super Mario 64 is another. Argue with me if you like, but… maybe you should just trust me on this one.  These games are both in 3D, which is an entirely different feeling for both franchises: Zelda’s top-down was equally as iconic by this time as Mario’s side-scrolling excitement. And, certainly, the idea of playing a musical instrument (actually controlling it with your controller, I mean… not Oracle of Seasons/Ages style)… was a game-changer (pun absolutely intended). Same deal with Mario: you now had health, and the world was way more free-form, even quest-oriented. There were little races and challenges and strange things that none of the other games before 64 ever had. And yet… Ocarina of Time? It’s a flippin’ PUZZLE game. You spent hours in the Water Temple not FIGHTING crap (except for those Tekteks. Screw those guys), but solving puzzles! You pushed blocks, shot fire-arrows, used small keys, hookshotted the hell out of targets and vines alike, and made your way through dungeons not by brawn, but by brains. It was a Zelda game, through and through. That idea was preserved. And NO ONE can dare to say that Super Mario 64 is not a platformer. Perhaps it was a little more forgiving with lives than the earlier Mario games, but I’ll be damned if I didn’t spend hours timing jumps right and trying to run without falling off one edge or another. The feeling of Mario was there, even if it looked a little bit different. Super Mario Galaxy and Skyward Sword (or Twilight Princess, too), took the games in a different direction. But c’mon. They’re still Mario and Zelda. You’ll always know a little bit what to expect.

So we see these games, how they change, how they stay the same, and we ask ourselves: SHOULD it be that way? What if every Zelda game had a different gameplay style, a different goal, a different set of mechanics governing your experience? Would those games still be good? The answer is unequivocally yes. The only thing is, instead of making these games “Zelda” or “Mario,” why not call them by another name? That way, we don’t have the problems of brand name expectations, and we can work within a much freer framework for what we can do and what we want to do as game developers! Let’s have a look at the result: Chibi Knight!

 

Click to play CHIBI KNIGHT, The Zelda 2 Knockoff.

 

If you decide to play it (and you really should), you’ll find that it’s fun, cool, addictive, engaging, and altogether very well-made! It’s also exactly the same style of gameplay as Zelda 2. So, after all this, I’ve come to this conclusion: the failure (not really FAILURE, by the way. It was successful in its original run, but it failed to stand the test of time like some other Zelda games we know) of Zelda 2 wasn’t because of its actual gameplay… it’s no longer a popular Zelda game because it was just too different. I guess the moral of the story here is “Be careful what you call Zelda.”

Also, in case you were wondering HOW MUCH Chibi Knight is like Zelda 2 (and how obvious the relation is)… Here’s the opening screen from Zelda 2:

Hm. I don’t see the resemblance at all.

Happy gaming, see you next time!

 

~Another Gamer

 

I’m baaaaack!

Hello, ladies and germs! Actually, I should say “guten Tag!” because I’m in GERMANY.

Whoa. Guys, I’m in Germany.

For the new folks here at the blogoblag, let me fill you in: I’m studying electronic music at the Hochschule Trossingen. Unbelievably rad! My studies begin in about 4 weeks, but right now I’m taking a 6-week long INTENSE German language learning course. Every day, 6 hours a day, just German. I haven’t been speaking a lot of English lately, so forgive me if I occasionally use a German word now and then. Actually, that won’t happen, as these blogs are rigorously edited for spelling and grammatical errors.

Not.

So, the transition from American culture to German culture has been a little bit difficult. I had my trusty DS with me, and I’ve been playing a lot of Poke’mon: White to pass the time. I’m staying with a host family that didn’t have internet (UNTIL TODAY thank Jobs), and so I was woefully without games that require the internet to play (like Diablo and Starcraft and often Minecraft and a lot of Steam games) and games that require the internet to DOWNLOAD (like the new Android Humble Bundle 3. I hope you bought it!). But now, German DSL is screaming along, giving me access to you, my dear readers, and to a wonderful cornucopia of other things like Facebook and Reddit. Actually, those things aren’t wonderful. They’re just excuses not to go outside and see this totally different, beautiful country that I’m in. So, perhaps I’ll slack off on keeping up with my American friends or the newest cat pictures.

But this blog! It must not be forgotten.

This particular post isn’t actually going to have anything of real substance (deep, well thought-out opinions about the true nature of video games will come later. Pinky swear). However, it’s going to let you know that all is not lost! There might be a brief hiccup when I move from my current location to Trossingen, because, well… new living location, lots of stuff to do, no internet, yadda yadda. Everyone who’s ever moved out of their parents’ basement knows what I’m talking about: that brief couple of days (or weeks) that you realize there is NO WAY for you to know what anyone else on the planet is doing. Interesting feeling.

So! The rest is bookkeeping. It is rather late here, and I almost said “the rest is beekeeping.” Perhaps a more interesting hobby, but I don’t think the analogy works here.

I’ve been nominated for the “One Lovely Blog” award by two separate people: cary, a longtime follower (really, one of the first) and a damn good game blogger in her own right, and Brendan, a blogger I wasn’t familiar with until, well, he sent me his nomination. Mea culpa.

As I tend to Google things, I have discovered that a ton of people have been “nominated,” and that there’s actually no one who really AWARDS these things. However, it’s totally nice and cool and it was the impetus for me to get my butt onto the computer and do some serious writing about video games! So, thank you both for the nominations… I found it very sweet.

About my day job (you know, this whole “music” thing I’ve flown halfway across the world and abandoned my family and friends to pursue). Before I left I spoke with a friend who has been in the film and video game industry for a long time, often as a certain type of artist, but as of late more as a representative for other creative types. I won’t be too specific, but she’s pretty awesome and knows EVERYONE. Anyway, we got to talking about how I would absolutely love more than anything to write music for games. It’s been a pipe dream that I’ve never considered to be a real possibility, but she was very supportive (which is a big thing, considering she KNOWS the industry and how difficult it is to enter). She mentioned something about lending her support in a more tangible way (which I also won’t mention here), but would perhaps be my “foot in the door,” so to speak. It’s not a free ride. I’d have to work hard. I’d have to start at the bottom, getting coffee for people like Hans Zimmer or Nobuo Uematsu (truthfully, getting coffee for the people who GET COFFEE for these composers). I jest, a little bit, but the important thing is, that I’d be working in that industry. Here’s the caveat: if I did take her up, I’d probably be working for a LARGER game company (think EA or Blizzard or Bethesda or something). They employ a lot of people, and as you may have read, I’m not always on their side. I think my goals and my ideals align more with an indie game group, but alas, it’s pretty much impossible to “apply” for a job in that world. It’s a great deal more about knowing the lead programmer (for example).

So what do you think? It’s a complicated decision, to be sure. Fortunately, I don’t have to make it for a year yet, and by then, everything could change. But I’m interested to know what everyone thinks.

That’s all for today! Sorry about not having any unrelated analogies or funny pictures. More will come. I just wanted everyone to know that I haven’t died or fallen off the face of the earth. I’m just on the OPPOSITE face of the earth. Completely different thing.

~Another Gamer

P.S. Here are some games. I think they’re awesome, but a couple of them will be relevant to my next post. SO PLAY THEM! Don’t slack off, you have gaming to do.

Dibbles: A puzzle game with a rather morbid (and awesome) twist.

Zombotron… 2! (even more fun than the original.)

Glean: I love these types of games. Perhaps not a “blatant” ripoff of MotherLode, but similar. This one, however, is complex, rather beautiful, and extraordinarily well-written. As far as flash games go, I recommend it very highly. Play it, be completely engrossed, leave a comment when you remember that there exists an internet outside of finding the next treasure chest.

P.P.S. I’m glad to be back. I don’t know if you could tell. I’ve missed writing about video games so much. I haven’t stopped being passionate about them, so not being able to write is a rough business. I’m glad to be back.

The Indie Game Conundrum

So indie games are cool. It’s true! They’re easily distributed, they often pursue pretty lofty artistic goals, they’re fun to play and cheap to buy. And there are literally THOUSANDS of them. Hooray for the indie gaming world!

Now that I’ve effectively summed up my opinion on that particular subject (and there is ample evidence in previous posts of mine that this is really, really true), let’s talk about what makes them so problematic. Because there are problems. I think that indie games are a godsend for game developers everywhere, but boy, they have their downsides.

The main reason for this post is because Notch (the near-god-status creator of MineCraft) did an AMA (Ask Me Anything) on Reddit recently, and said some things that are very profound in terms of indie game development. Now, Mojang really only has ONE game. They may have some in the works, they may have put out a couple silly little projects before MineCraft, but MC is their big one. So, I guess we can’t call Notch “experienced” in the art of making indie games. But, actually we can! He’s had the chance to meet with, work with, fraternize with, play Halo and drink beer with every big name in the indie gaming industry, and some who are even bigger than indie games as a whole! He knows EVERYBODY, and thus knows a lot about the world of indie games and how they are made.

The big thing that totally struck me is the hype surrounding MineCraft and Mojang. EVERYONE who plays it loves it. There are a ton of people who are just completely apey over it, and I’m one of them. It’s a brilliant game, it keeps getting better, and every time I play it I look up and like 5 hours have gone by. (I’m not proud of that… okay, maybe a little, but in a very nerdy, self-loathing kind of way.) So what’s next for Mojang? What is going to capture our lives and our attention NEXT? It’s gotta be GREAT! It’s gotta be BETTER than MineCraft! WAY BETTER! CAPSLOCK! But the reality of the situation is that it won’t be. It can’t be.

And why not? Well, because it’s MineCraft, Notch says. He explained that MineCraft’s popularity was a fluke, a one in a million chance that he happened to get lucky on. It wasn’t intentional. And certainly, if we play MC ourselves, we can understand how this can be said to be true. The limits of the game are not imposed upon the player, they are imposed BY the player. Therefore, if players find it too difficult to embrace their creative desire, or an elite few hadn’t decided to make scale models of the Arc De Triomph, Neuschwanstein castle, and the FRICKIN’ U.S.S. ENTERPRISE, then perhaps others wouldn’t have picked it up and tried their hands at it. It really WAS a fluke. And the next game they put out won’t be. The reputation of Mojang is not enough to make a game that isn’t %100 awesome succeed.

Also, we must consider some other things. A different artistic goal must be in mind for their next game. To make a game quite a bit like MineCraft would make their fans jaded and let them down. In the indie game industry, novelty is a strongly attractive attribute for a game to have. The reason people like Haydn or Mozart were able to write so many symphonies and concertos is because they had a formulaic approach to composition. The same cannot be said for indie games. So, while Mojang may do sandbox games really well, they have no choice but to abandon that genre if they wish to make another game.

Finally, we must consider the people themselves. The gamedevs for indie games almost never number more than 12 or 15. There might be some indie studios with more than 20 people, but it’s very rare. When you have a close group of people like that, creativity is very hard to come by in large amounts. To produce awesome (and different) games consecutively is a very challenging thing for all game developers, but when you have such a small group of people, it becomes nearly impossible. Not every game can be utter genius. Not every game can be the most brilliant child a game company brings into the world. That’s not how it works.

To be an indie game company presents a very interesting set of challenges, and they’re ones that big game companies don’t have to face. They have the ability to create franchises out of their games that allow for a somewhat formulaic approach to how they do business, even if the artistic aspect is changed a bit (Final Fantasy or Tekken, anyone?). They have a lot more manpower, which, while it doesn’t create something completely mindblowingly brilliant very often, there is a base level of artistry in every aspect of the game (writing, 3d modeling, gameplay, programming, environments, music, etc.) that provides a quality product a lot more often than any indie company can hope for. And there’s the advertising. Big game companies throw around a lot more money, and can expect to make a lot more money from their investment. It’s the nature of the beast.

It’s a wonderful path in life to take if you love creating games. I would get up every morning and love my job if I could make indie games or write their music. But… everything that makes it so wonderful can also give these creative individuals a lot of problems and obstacles to their success. How does one continue being successful after one STARTS being successful? Notch says it’s not possible. Perhaps he’s right? Well, given the profits of MineCraft, he can AFFORD to be right! Frickin’ millionaire. For the rest of us, however, let’s hope he isn’t!

~Another Gamer

Gamedev’s Delight!

Hey, folks! You’ll notice that I didn’t make a post on Monday! (Why’s that, Mr. Another Gamer sir?) Well, it’s because I’m no longer going to be posting on Mondays! And, if by some off chance you ask “Why’s that” again, then I would tell you it’s because I’m going to be in Germany for the next year. That’s right, ladies and gents (as if there were any chicks who read my blog), I’m studying Music Design abroad at a school in Trossingen, Germany.

Thar she blows!

Which, of course, means I’ll have plenty of stuff to blog about that doesn’t involve me sitting in my room, staring at a screen all day! And that’s what I’ll be writing about on Mondays. Now, since that’s totally irrelevant to ANYTHING video game-y, let’s move on!

Calling all gamedevs, 3D Modelers, artists, programmers, sound designers, and other members of video-game-related professions (and their wannabes)! Read the rest of this entry

Miss me yet?

Well, I’m back from vacation. I missed Monday! I’m sure you’re all quietly boo-hooing into the plate of processed food you usually ingest while reading this blog. It was awfully quiet out in rural Florida, and I had a lot of time to think about video games.

It really is too bad, however, that I didn’t spend that time thinking about video games. All is not lost, though! I have some divinely-inspired ruminations about the nature of video games, and life in general, to bestow upon you. I know. I’m grand.

Moving on! Glad to have that one off my chest. Next: I have discovered that the world of MineCraft is a lot nerdier than meets the eye. I was turned on to some pretty hefty mods by a commenter on one of my other posts, and I realized quickly that I was in over my head. Had I not retraced my steps, I would have needed a member of the Geek Squad with a PhD in computer science to come untangle the mess I made. That might be a slight overstatement, but to someone who mainly PLAYS games without really delving into how they work, it was a catastrophe of magnificent proportions. Good god.

On a different subject: Poke’mon is good. I love games that keep getting better with each new release. Generally I pirate them anyway, but I actually shelled out the money for Poke’mon White. It’s really turning into an RPG. It’s less about “you must defeat your Professor’s annoying grandson and become the Champion,” and much more in-depth. With greater data storage and computing abilities (occasionally) comes greater games! It’s not just flashier, it’s more difficult, more deep, more personalized. Trainers you fight against have their own playing styles, versus the old-fashioned, “Hey, pick a random move, go!” that made the early games so easy. The world seems bigger, more diverse, and more interesting. There’s more dialogue, more puzzles, more challenges, more things to do. Red and Blue will always have a special place in my heart, but I think it’s time we step off our soapbox and accept the fact that there are, in fact, more than 151 Poke’mon.

You racists.

And, last but not least in my series of unconnected thought: “Amnesia: The Dark Descent” is a thoroughly horrifying game. I don’t even want to play it anymore. It mentions at the beginning that the game is best experienced “in a dark room while wearing headphones.”  Coincidentally, I hear that BEING KILLED VIOLENTLY by zombies and other terrifying creatures is also best experienced in a dark room with headphones on. Way to go.

Other than that, I have a game for ya’ll to try: Glean. It’s a relatively new mineral-mining-and-stuff game, based loosely on the original gem, “Motherload,” from XgenStudios. This one has more variety, more pretty graphics, more challenges, and more plot. I like it! I know you will too.

Alrighty! See you next time. It’s good to be back.
~Another Gamer

Out of town, out of mind.

Hello, loyal readers. I will be taking a vacation, and as such I will miss Monday’s blog post. I hope you don’t mind (haha, that was a joke, I know you don’t actually care). While I may SEEM bitter about my lack of a following, I’m going to reward you for putting up with it by giving you a delightful couple of games for you to play! Enjoy!

THE TREADMILLASAURUS REX!!!!!

BULLET HEAVEN!!! It’s the opposite of a bullet hell game, BUT IT’S STILL A BULLET HELL GAME!!!!

~Another Gamer

P.S. The exclamation points are for added emphasis.

Achievements that Actually Matter in Real Life!

I figure if you read this blog you either owe me a lot of money and are trying to get out of paying me back, or you enjoy playing video games. I’d say “Hopefully you’re in the second category,” but honestly it’d be kind of nice if more people owed me money. But for the sake of the topic, we’ll pretend that you ARE indeed in the 2nd category and you play video games. What kind of games do you like? Classic games? New games? Games that you can get for 6 bucks at GameStop? Those are my favorites, because they remind me gently that while the most awesome games get awesomer and awesomer as time goes on, people will never stop making really bad games. Gives me a warm, fuzzy feeling. But honestly, how do I have so much cash to blow on awful 6-dollar games? The answer lies in one simple word: Achievements.

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Achievement Unlocked!

Congratulations, me! It’s my 10th legitimate post on this awesome website. In my short time here, I’ve accumulated acclaim, many followers, national renown, and had Rush Limbaugh call me a slut. It’s been a good run so far, and I have no intention of stopping anytime soon! And for some reason, on this portal to the blogosphere, they have a tally that keeps track of the number of posts you have published, and a goal that incrementally becomes higher as you fulfill it! To me, it kind of feels like an achievement. And, (amazingly enough) that’s what I’m planning on talking about today: Achievements.

I'm still working on getting this one.

Read the rest of this entry

Flash– Aaaahhhhhh!!

You know, I always thought I was an RPG guy. Played Final Fantasy games religiously, wouldn’t touch Madden or Grand Theft Auto, and preferred to spend my precious moments after school reading novels worth of text. Hooray, Role-Playing Games. I’m not knocking them (actually I am, but good-naturedly, and that makes all the difference), but they seemed to take their time in developing plot, characters, gameplay, and so on.

For us modern-day gaming thrill-seekers, maybe we need a bit more of a buzz. Something that grabs you by the eye-sockets and doesn’t let go until you’ve played it to death. Good lord, if a large-scale RPG did that, you’d have people who would never leave the comfort of their sofa (like, WoW perhaps?). But the good news is, someone decided to invent Flash games.

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